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c. 1445 – May 17, 1510. Italian painter.

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BELLINI, Gentile
Procession in Piazza S. Marco (detail) ll95

ID: 05020

BELLINI, Gentile Procession in Piazza S. Marco (detail) ll95
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BELLINI, Gentile Procession in Piazza S. Marco (detail) ll95


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BELLINI, Gentile

Italian Early Renaissance Painter, ca.1429-1507 Gentile was born into a family of renowned painters: his father Jacopo Bellini, was a Venetian pioneer in the use of oil paint as an artistic medium; his acclaimed brother was Giovanni Bellini, and his brother-in-law Andrea Mantegna. Gentile was taught painting in the workshop of his father. Although today Gentile is often seen in the shadow of his more famous family members, in his own time he was considered among the greatest living painters in Venice and had no shortage of commissions; his talent as a portraitist revealed itself at an early age.  Related Paintings of BELLINI, Gentile :. | Procession in Piazza San Marco | Portrait of Doge Giovanni Mocenigo | Miracle of the True Cross | Miracle of the Cross at the Bridge of S. Lorenzo | Procession in the Piazza di San Marco |
Related Artists:
BOL, Hans
Flemish Northern Renaissance Painter, 1534-1593 Hans Bol (1534?C1593), Flemish artist, received his early training from his two uncles who were also painters. He then was the apprentice to a Mechelen watercolorist and tempera painter at the age of fourteen. Because Bol??s watercolors became so widely reproduced, he began creating miniatures on parchment. The technique earned him many international clients and a good income. In addition, Bol also produced several oil paintings, illuminated manuscripts, drawings, and engravings. He preferred to create landscapes, mythological, allegorical and biblical scenes, and genre paintings.
Emile Levy
Paris 1826 - Paris 1890. French Academic Painter, 1826-1890. Studied under François-Edward Picot and Abel de Pujol.
William Shayer
1787-1879 English painter. Although based in Southampton and catering predominantly to a provincial market, he also exhibited in London. Between 1825 and 1870 he showed over 330 works at the Royal Society of British Artists and 80 at the British Institution. Shayer produced rural genre scenes in the manner of Francis Wheatley, Julius Caesar Ibbetson and, predominantly,






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